From The Killing in 1956 to Eyes Wide Shut in 1999, all the films Stanley Kubrick directed since 1956 were based on books.


The Shining. Poster of the 1980 movie and cover of the 1977 book
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The Shining
Stephen King, 1977
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Stanley Kubrick, 1980

Writer Jack Torrance arrives at the remote Overlook Hotel in the Rocky Mountains to be interviewed for the position of winter caretaker. Manager Stuart Ullman warns Jack about the hotel ‘s reputation: a previous caretaker, Charles Grady, killed his family and himself.


A Clockwork Orange. Poster of the 1971 movie and cover of the 1962 book
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A Clockwork Orange
Anthony Burgess, 1962
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Stanley Kubrick, 1971

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that’ll rob him of all personal agency.


Full Metal Jacket. Poster of the 1987 movie and cover of the 1979 book, The Short-Timers
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The Short-Timers
Gustav Hasford, 1979
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Stanley Kubrick, 1987

During the United States’ involvement in the Vietnam War, a group of boot camp recruits arrive at Parris Island. Among the recruits is the overweight and dim-witted Leonard Lawrence, whom Hartman nicknames Gomer Pyle, as well as the wisecracking J.T.


Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Poster of the 1964 movie and cover of the 1958 book, Red Alert
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Red Alert
Peter Bryant, 1958
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Stanley Kubrick, 1964

United States Air Force Brigadier General Jack D. Ripper is commander of Burpelson Air Force Base, which houses the Strategic Air Command (SAC) 843rd Bomb Wing, flying B-52 bombers armed with hydrogen bombs.


Eyes Wide Shut. Poster of the 1999 movie and cover of the 1926 book, Dream Story
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Dream Story
Arthur Schnitzler, 1926
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Stanley Kubrick, 1999

Bill and Alice Harford live in New York City with their daughter Helena. She then discloses that during their vacation on Cape Cod, she encountered a naval officer and fantasized about him enough to consider leaving Bill and their daughter.


Paths of Glory. Poster of the 1957 movie and cover of the 1935 book
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Paths of Glory
Humphrey Cobb, 1935
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Stanley Kubrick, 1957

The film begins with a voiceover describing the trench warfare situation of World War I up to 1916. Mireau leaves the detailed planning of the attack to Colonel Dax of the 701st regiment, despite Dax’s protests that the only result of the attack will be to weaken the French Army with heavy losses for no benefit.


Barry Lyndon. Poster of the 1975 movie and cover of the 1844 book, The Memoirs of Barry Lyndon, Esq.
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The Memoirs of Barry Lyndon, Esq.
William Makepeace Thackeray, 1844
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Stanley Kubrick, 1975

An omniscient narrator relates that in 1750s Ireland, the father of Redmond Barry is killed in a duel over a sale of some horses. Nora and her family plan to improve their finances through marriage, while Barry holds Quin in contempt and escalates the situation to a duel, in which Barry shoots Quin.


Spartacus. Poster of the 1960 movie and cover of the 1951 book
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Spartacus
Howard Fast, 1951
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Stanley Kubrick, 1960

In the 1st century BC, the Roman Republic has slid into corruption, its menial work done by armies of slaves. When Spartacus is disarmed, his opponent, an African named Draba, spares his life in a burst of defiance and attacks the Roman audience, but is killed by an arena guard and Crassus.


Lolita. Poster of the 1962 movie and cover of the 1955 book
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Lolita
Vladimir Nabokov, 1955
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Stanley Kubrick, 1962

Set in the 1950s, the film begins in medias res near the end of the story, with a confrontation between two men: 1 on the piano before being apparently shot to death behind a portrait painting of a young woman, with the shots fired from in front of the painting and passing through it. The film then flashes back to events four years earlier. He searches for a room to rent, and Charlotte Haze, a cloying, sexually frustrated widow, invites him to stay at her house.


The Killing. Poster of the 1956 movie and cover of the 1955 book, Clean Break
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Clean Break
Lionel White, 1955
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Stanley Kubrick, 1956

Johnny Clay is a veteran criminal planning one last heist before settling down and marrying Fay. Johnny assembles a team consisting of a corrupt cop, a betting window teller to gain access to the backroom, a sharpshooter to shoot the favorite horse during the race to distract the crowd, a wrestler to provide another distraction by provoking a fight at the track bar, and a track bartender.

“Having your book turned into a movie is like seeing your oxen turned into bouillon cubes.”

JOHN LE CARRE (Writer)