Lucifer. Poster of the 2016 TV series and cover of the 1989 comic book, Lucifer: Devil in the Gateway
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Lucifer: Devil in the Gateway
Neil Gaiman, Sam Kieth, Mike Dringenberg, 1989
TV series vs comic book
Tom Kapinos, 2016-

The series focuses on Lucifer Morningstar, a beautiful and powerful angel who was cast out of Heaven for his betrayal. Becoming increasingly bored and unhappy with his life down there in Hell. But with his stubbornness and selfishness, he ends up getting the detective confused with who he actually is. As the events unfold, several celestial and demonic threats come to Los Angeles.


Good Omens. Poster of the 2019 TV series and cover of the 1990 book
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Good Omens
Terry Pratchett, Neil Gaiman, 1990
TV series vs book
Neil Gaiman, Terry Pratchett, 2019

Set in 2018, the series follows the demon Crowley and the angel Aziraphale, longtime acquaintances who, having grown accustomed to life on Earth as representatives of Heaven and Hell, seek to prevent the coming of the Antichrist and with it Armageddon, the final battle between Heaven and Hell.


The Sandman. Poster of the 2021 TV series and cover of the 1991 comic book, Preludes & Nocturnes
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Preludes & Nocturnes
Neil Gaiman, Sam Kieth, Mike Dringenberg, 1991
TV series vs comic book
Neil Gaiman, David S. Goyer, Allan Heinberg, 2022-

In 1916, Dream, the king of stories and one of the seven Endless, is captured in an occult ritual. After being held captive for 105 years, in 2021 he escapes and sets out to restore order to his kingdom of the Dreaming.


American Gods. Poster of the 2017 TV series and cover of the 2001 book
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American Gods
Neil Gaiman, 2001
TV series vs book
Bryan Fuller, Michael Green, 2017-2021

Only days before his scheduled release from prison, Shadow Moon is told his wife has been killed in a car accident, and he is released early to attend the funeral. In a grand plan to combat this deadly threat, Mr. Wednesday attempts to unite the Old Gods to defend their existence and rebuild the influence they have lost, leaving Shadow struggling to accept this new world and his place in it.


Coraline. Poster of the 2009 movie and cover of the 2002 book
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Coraline
Neil Gaiman, 2002
movie vs book
Henry Selick, 2009

Eleven-year-old Coraline Jones and her parents, Mel and Charlie, move into an old mansion that has been divided up and is now known as the Pink Palace Apartments. While using a dowsing rod she plucked from a bush in the garden, she meets the landlady’s grandson, Wyborne Lovat, and the feral Black Cat who follows him around. Soon after, Coraline discovers a small door in the living room that is bricked up and can only be unlocked by a button-shaped key.


Stardust. Poster of the 2007 movie and cover of the 1997 book
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Stardust
Neil Gaiman, 1997
movie vs book
Matthew Vaughn, 2007

The English village of Wall lies near a stone wall that borders the magical kingdom of Stormhold. Dunstan Thorne tricks the guard and crosses over the wall to a marketplace. Eighteen years later, the dying King of Stormhold throws a ruby into the sky, decreeing that his successor will be the first of his fratricidal sons to recover it.


Neverwhere. Poster of the 1996 TV series and cover of the book novelization
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Neverwhere
Neil Gaiman, 1996
TV series vs book   [NOVELIZATION]
Dewi Humphreys, 1996

When office employee Richard Mayhew comes across a wounded young woman named Door on the streets of London and tries to assist her, he is unexpectedly erased from existence. Trapped in an underground kingdom beneath the city, Richard grapples with finding his way back to his former life while evading the enigmatic assassins who were responsible for the death of Door’s family.


Sandman: 24 Hour Diner. Poster of the 2017 movie and cover of the 1991 comic book, Preludes & Nocturnes
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Preludes & Nocturnes
Neil Gaiman, Sam Kieth, Mike Dringenberg, 1991
movie vs comic book
Nicholas Brown, Evan Henderson, 2017

In this surreal and horrific adaptation of the cult classic Sandman comic “24 Hours”, a psychotic escaped patient from Arkham Asylum decides to have some fun at the expense of six patrons of a 24 Hour Diner.


Mirrormask. Poster of the 2005 movie and cover of the comic book novelization
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MirrorMask
Neil Gaiman, Dave McKean, 2005
movie vs comic book   [NOVELIZATION]
Dave McKean, 2005

In a land where the White Queen slumbers and refuses to awaken, the once-balanced scales of Dark and Light have tipped, and black shadows now loom over her kingdom. The only hope to restore equilibrium lies in the Mirrormask, and it is up to Helena, a foreigner in this unfamiliar land, to embark on a daunting journey to retrieve the lost artifact before the Dreamworld is consumed by eternal darkness.


Neil Gaiman's Likely Stories. Poster of the 2016 TV series and cover of the 1990 comic book, Feeders and Eaters
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Feeders and Eaters
Neil Gaiman, Mark Buckingham, 1990
TV series vs comic book
Neil Gaiman, 2016-

An anthology series featuring self-contained stories that have a slightly surreal, gothic feel with a magical twist on reality. In second episode, Feeders and Eaters, we find ourselves immersed in the nighttime atmosphere of an all-night cafe, where a waitress is recounted an unusual love story with Gothic, twisted, and surreal elements.


Neil Gaiman's Likely Stories. Poster of the 2016 TV series and cover of the 1998 book, Looking for the Girl
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Looking for the Girl
Neil Gaiman, 1998
TV series vs book
Neil Gaiman, 2016-

An anthology series featuring self-contained stories that have a slightly surreal, gothic feel with a magical twist on reality. In fourth episode, Looking for the Girl, after the cameras are turned off, an aging photographer narrates to a reporter the story of his muse.


Neil Gaiman's Likely Stories. Poster of the 2016 TV series and cover of the 1998 book, Foreign Parts
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Foreign Parts
Neil Gaiman, 1998
TV series vs book
Neil Gaiman, 2016-

An anthology series featuring self-contained stories that have a slightly surreal, gothic feel with a magical twist on reality. In first episode, Foreign Parts, Simon is a man who lives his life by a strict routine. He wakes up, gets dressed, and takes the DLR to work every day. However, he begins to feel like he’s losing his sense of identity as he slowly transforms into someone or something else, both figuratively and perhaps even literally.